◆Bondset art ◆
Art history is the study of objects of art in their historical development and stylistic contexts; that is genre, design, format, and style.[1] The study includes painting, sculpture, architecture, ceramics, furniture, and other decorative objects.[2]
Art history is the history of different groups of people and their culture represented throughout their artwork. Art historians compare different time periods in art history. Such as a comparison to Medieval Art to Renaissance Art. This history of cultures is shown in their art work in different forms. Art can be shown by attire, architecture, religion, sports. Or more visual pieces of art such as paintings, drawings, sculptures.[3]
As a term, art history (its product being history of art) encompasses several methods of studying the visual arts; in common usage referring to works of art and architecture. Aspects of the discipline overlap. As the art historian Ernst Gombrich once observed, "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".[4]
Art history is the study of objects of art in their historical development and stylistic contexts; that is genre, design, format, and style.[1] The study includes painting, sculpture, architecture, ceramics, furniture, and other decorative objects.[2]
Art history is the history of different groups of people and their culture represented throughout their artwork. Art historians compare different time periods in art history. Such as a comparison to Medieval Art to Renaissance Art. This history of cultures is shown in their art work in different forms. Art can be shown by attire, architecture, religion, sports. Or more visual pieces of art such as paintings, drawings, sculptures.[3]
As a term, art history (its product being history of art) encompasses several methods of studying the visual arts; in common usage referring to works of art and architecture. Aspects of the discipline overlap. As the art historian Ernst Gombrich once observed, "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".[4]
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